4 + 3 = 1

THERE ARE STORIES TO BE FORGED FOR COMMON DENOMINATORS TO COME FORTH AND SOCIAL BALANCE TO BE RESTORED

These Radiobooks are one of the chapters through which our project 4 + 3 = 1  unfolds. In these chapters, we follow the question: How do we recompose a common in a society marked by separations?

In the form of a research process, a series of storytelling sessions, radio books, workshops, zines, and an exhibition accompanied by a discursive and performance programme, the project FourPlusThreeEqualsOne seeks to enact the common denominators that tell (hi)stories about the city of Berlin and its becoming. It engages with the possibilities of repairing and restoring societal balance(s).

This project unfolds in multiple chapters, each tailored specifically to work with Berlin based PoC communities. We also invite international voices, and experts in their field of work to travel across borders and binary thinking. We weave various formats that at times gather participants in intimate settings, and other times we meet in the performative through story with audiences to recalibrate balance systems.

With the RADIOBOOKS, we create, produce and delve into multi-format 1-hour-long radio features which will air monthly on SAVVYZΛΛR. The radio invites people from all walks of life, including artists, philosophers, writers but also informal communities living in Berlin to think of radio as both a tool of research, but also a book of its own. Each session will transmit from Berlin and carry on the knowledge shared onto the next listener, and the next one, creating a ripple effect of transmissions and conversations. The radio program accompanies the project throughout its whole duration, and each month will visit one segment, question, chapter of our framework. 

Book 1: Subtle Energy in Poetry with a Beat  
With Eliyas and Lynhan Balatbat-Helbock

In the beginning, there was the Mixtape:
Mixtape Menage, a poetic-philosophic reading travel to verbalisations and sound reverberations, sets us into the musicality of electricity and its relational magnitude. Created, arranged and tuned by Eiliyas, and accompanied by a guest, the sessions sonorise-visualise notes loudly unheard-of. 

In this first 4+3 RadioBook dedicated to Subtle Energy, Eiliyas is joined by curator Lynhan Balatbat-Helbock, to manifest and enhance inscriptions by authors like Kodwo Eshun, Elise Kermani, RAMMELLZEE, and Saul Williams. They remind us of formulas of the living, encoded in subtle energies of hip hop and beyond. Or, to say it with Nikki Giovanni: it's poetry with a beat. 

 

Book 2: Subtle Energy in Poetry with a Beat  
With Tanka Fonta

Tanka Fonta takes over the thread from the first RadioBook with Eiliyas to weave further with the SUBTLE ENERGY IN POETRY WITH A BEAT.

 

Book 3: Cosmos | Time-Space / Ceremony
With Nkisi

The direction we give into our lives depends on who we think we are.

Engaged on the way back to light,
we must know that while living on earth, we are children of the stars.

This knowledge or awareness is fundamental because
it is only from this moment that our incarnation unfolds...

The interstellar emptiness can be terrifying and
cosmic immensity is everything but reassuring.

As much as we are, as many others are,

It is the contact with each other that gives meaning to our lives, that reassures us.

How do you wake up remembering your night dreams?

The field of dreams is the first portal from which we access
the world beyond our material dimension.

We must therefore give importance to this oneiric universe.

We are everywhere at the same time,
a star-gate is a portal, as time is a frequency.

The stars are singing inside of you...

What gives life?

The invisible within is our inner sun.

Our inner fire.

The invisible shield...

 

Book 4: Cosmos
With Léuli Eshrāghi

In this RadioBook, we continue the thread of the Cosmos with Léuli Eshrāghi, Sāmoan/Persian/Cantonese interdisciplinary artist, writer, curator, and researcher working between Australia and Canada, to discuss Indigenous pleasures. With them, we move with the Samoan sciences teaching of multi-temporalities in simultaneity while expanding on notions of desire and its languages, planes of resistance, joys, longings, and heterogenous unities. Léuli speaks alongside project curators Kelly Krugman and Arlette-Louise Ndakoze. 

This session features an excerpt from “Quiet riot 1: 'Fa'afafine towards decolonization” – a panel discussion moderated by artist Shigeyuki Kihara in 2015 . Fa’afafine is a Sāmoan word used to describe those who are gifted in the spirit of more than one gender. The word is also used to broadly describe those in the Sāmoan community who are Lesbian, Gay, Bisexual, Transgender, Transsexual and Intersexed persons in the Western context. Moderated by interdisciplinary artist Shigeyuki Kihara, this panel brought together Sāmoan Fa’afafine – human rights advocate Tuisina Ymania Brown, lawyer Phineas Hartson and curator Léuli Eshrāghi – to discuss the Sāmoan Fa’afafine experience in the postcolonial era both in the Sāmoan Islands and the diaspora.  This RadioBook is traveling through harmonised sounds by Te Vaka, Horomona Horo, Komuhauru Panpipe Band, and Liz Maureen Fuimaono-

Book 5: CEremony
With bela

Wishes are how we frame the future.
Wishes become sketches and structures, and many wishes collide and merge as they rush towards the now, solidating into the present (or, being fulfilled) as the great hand of the clock sweeps.

Wishes are some of the most precious concepts that can only be in the future.
As soon as a wish crosses the threshold of the now, it was.
As such, wishes are the immaterial shards of many universes, cosmos.

The number of wishes that float into our minds then float out is far greater than the number of wishes that are written into locks, wind lanterns, diaries, prayers, and cards.

Wishes make the future.
Rich with voids and smokes and the shining shards of what is to come.
Manifesting is realizing the future by focusing on the future you want.
It is a way to exist throughout.
Our wishes show us the forking pathways and it is us who help decide what the future will look, sound, smell and feel like, despite the harrowing weight of societies.
Wishing is a way to live in a non-linear timeframe.

Even when the past is almost set, the future is still full of infinite wishes beyond imagined possibilities. Hence, the immaterial structure can resemble a shape of a tree for every one of us.

(It is the wishes that became stories that feed the wishes to come: Past -wishes- Future -fulfillment- Past -wishes- Future and so on... an ouroboros of problem-solving)


In this fifth RadioBook, we listen closely to reflections of wishing and rituals by bela: there is a sacrificial aspect in focus, contemplating that you must first give in order to receive.

We hear echoes of Jeonghwasu (fresh morning water used for ceremony or a prayer) or human sacrifice and rituals, as told in the tale of Sim Cheong or the tale of Baridegi (stories of reincarnated female figures). Physical aspects like cleansing yourself, being on your knees, and putting your hands together are in spirited presence. The emotional aspect of being afraid to wish for something or the fear of witnessing the failure of your wishes may be present; the modern loneliness felt when you realize your wishes aren't singularly yours to activate. The reality of the inability to generate a wish, enerved by disaffection and alienation. The courage you must carry in dark times as you wish for a brighter future. 

In this piece, the Korean bamboo flute of bela’s biological father stands as an offering. bela’s voice, 3/3 Korean rhythms, and iPhone recordings of exchanged wishes and sound coalesce with synthesized drums and noise. Electroacoustic music, spoken word, dub jangdan, and club music are interwoven. Join us in a steep and whirling travel into bela’s time-space ceremony. 
 

Book 6: Subtle Energy in Poetry with a Beat
With Mayra A. Rodriguez Castro

Poet Mayra A. Rodriguez Castro is focusing on the Marimba de Chonta, a sacred instrument tuned by water. In the Pacific littoral of Colombia, the marimba is constructed entirely by hand from peach palmwood. The tree grows by the shore, where moon cycles pull on the tide, and seawater dampens the palm to produce a distinct musical timber, measured by ear for each instrument. The marimba bars are cut, polished, and dried to reach their internal tone. The artisan listens until the instrument sings its voice.

An improvisation in five parts interpreted by Washington Torres Quiñonez (Bordón) and Wilmer Vente Gómez (Requinta) in Buenaventura, Colombia. The Marimba de Chonta sings the rhythms of Juga, Bambuco Viejo, Agua Larga, Bunde, and Torbellino, notated by Mayra A. Rodríguez Castro in parallel scores for unborn poems.

 

Book 7: In Between | Spirits
WIth D'Andrade

Name Changer, a Soundscape

Name Changer, a journey through sounds and noises, uses field recordings and the methodology of tarot reading as a guide for listeners to pass through colors, shapes, and landscapes of sound. The question that permeates is: how can we create a point of transmutation where it is possible to die and be reborn with a new skin, a new name, a new body?

The process of creation within Name Changer moves predominantly within the spheres of sound poetry and the healing capacities of sound, modifying not only audible but also environmental frequencies. It is broadcasting as a mystical, telepathic, and tangible means of disseminating ideas for the end of war, towards escape, and the mollifying of broken hearts. It is the use of aural transmission as art’s potential to cool emotions struggling within the brunt of capitalism’s uneven weights, the wounds of racialization, and the colonial spectrums’ influence on the mind and body. 

Through the soundscape, a visual mapping of emotional potentials is paired with an intuitive deepening of the mutability of character: where we can change our names, or expressions, to change the world we live and build, in relation.